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Demolition Squad combine lurching, Scorn-esque beats with
eclectic modern-classical nuances (lots of strings teased into contorted sonic
origami, along with scattered, minimalist piano), binding the lot with itchy
electronics and uneasy samples. On "Looking for Number One", the Squad weave
loping percussion into a forest of unrest, as tension strings arch like smudged
rainbows and hesitantly plunked piano notes skip about. Dawdling drums ignite
a flurry of jagged violin textures (stroked by shards of glass) during "Get
On Down" before a siren's wail and a low-flying aircraft emit muffled, grimy
belches of noise. Hit It abounds with compelling, highly original material.
JC Smith
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