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The first impulse on hearing the soundscapes
that make up Wetlands is to label them as "experimental", but that term
really only applies to the beginning of the process that made this recording.
Although each track began with experiments
in found sounds, Cavestar engaged in an intense but very rapid refinement
process that evolved the pieces into truly finished works. So, unlike
much of what is being called "experimental" these days, Wetlands is not
of a "use once and discard" nature; these tracks invite repeated visits
as they will reveal new features with every listening.
The pieces each have their own sonic character,
ranging from a very sparse ambience to dense sound collages that incorporate
field recordings made everywhere from busy city street corners to actual
wetlands.
Perhaps the most striking aspect of this
work is the degree to which they can stimulate visual imagery within the
listener. Wetlands is really a collection of audio landscapes, which may
well have arisen from the artist's long experience in the world of visual
arts.
In fact, Crosslin photographed the cover
and art directed the product packaging to make this release a complete
work of the man's vision.
about
the artist
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new directions in atmospherics
hear
sound samples at

and

track listing
the shades
tab
gritch
wetlands
long shadows
fod
high noon
ontario
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